In what sense might Fritz Lang's "Metropolis" and Josef von Sternberg's "Der Blaue Engel" be considered 'modernist'.
Title: In what sense might Fritz Lang's "Metropolis" and Josef von Sternberg's "Der Blaue Engel" be considered 'modernist'.
Category: /Entertainment/Movies & Film
Details: Words: 3666 | Pages: 13 (approximately 235 words/page)
In what sense might Fritz Lang's "Metropolis" and Josef von Sternberg's "Der Blaue Engel" be considered 'modernist'.
Category: /Entertainment/Movies & Film
Details: Words: 3666 | Pages: 13 (approximately 235 words/page)
Both Fritz Lang's "Metropolis" (1927) and Josef von Sternberg's "Der Blaue Engel" (1930) appeared during the height of the 'Golden Age' of the Weimar Republic. This 'Golden Age' occurred between 1923 and 1930 and was a product of many economic events. Whereas Germany had been in dire economic straits following their defeat in World War I, in 1924 the Dawes plan was introduced by the US as a means to repatriate and reduce Germany's reparation payments specified by the treaty …showed first 75 words of 3666 total…
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…showed last 75 words of 3666 total… the Making: Weimar Cinema and National Identity in Bruce A. Murray and Christopher J. Wickham, Framing the Past - The Historiography of German Cinema and Television (Illinois, 1992), p60
11.Josef Von Sternberg, Fun in a Chinese Laundry (London, 1965) p49
12.Von Sternberg, Fun in a Chinese Laundry (London, 1965) p327
13.Alexander Walker, Sex in the Movies - the Celluloid Sacrifice (Aylesbury, 1966) p89
14.Peter Baxter ed, Sternberg (London, 1980) p97
15.Walker, Sex in the Movies (Aylesbury, 1966) p88-89